Adhagappattathu Magajanangalay Moview Review

Featuring debutant Umapathy, child of veteran performing artist Thambi Ramaiah in the number one spot, Adhagappattathu Magajanangalay is an endeavor at satire, investigative thriller and sentiment, all set up together, however without much achievement. Anand (Umapathy), a cheerful person who tries to end up noticeably a famous guitarist tries to help his companion who functions as a security watch in an agent’s family. Anand takes on the appearance of a security protect and chooses to spend the night as a substitute for his companion. In any case, a thievery endeavor happens and his companion thoughtfully approaches not to uncover to the police the “swapping” they did the earlier night. Notwithstanding, Anand understands that he had left his guitar, which has his name, portable number, address and even email, carved on it in the garden of the house. Expecting that he may be gotten by the police, he takes assistance from his companion, Paneer (Karunakran). How the legend tries hard to recover the guitar, which his dad, played by Pandiarajan, considers as a family treasure frames the plot.

For a debutant, Umapathy comes as light-footed and great at moving. His stature is likewise a major in addition to. In any case, the script or absence of it, makes the satire scenes a flat issue. Concerning Karunkaran’s part, we have seen such side-kicks in

a number of motion pictures and subsequently it lack s curiosity. The bum goons and their rehashed theatricality make one tired of the scenes. In spite of the fact that the character of the cop played by Yog Japee, brings some desire up in the first place it crashes and burns after a few scenes.

At whatever point Anand meets Sruthi (Resha Rathore), the group of onlookers is taken for a two part harmony succession in some beautiful districts that incorporate Kerala’s backwaters and some grand strongholds in Rajasthan. Imman’s music is an incredible rescuer and the melodies are a joy to tune in. Also, the camera work by PK Varma is engaging.

Since the account needs center, there’s very little the on-screen characters, including the courageous woman, can do to rescue the film. Among the performers, Manobala tries hard to do equity to his part. Thambi Ramaiah shows up in a cameo towards the finish of the motion picture.

While trying to show the ability of the legend in the parts of move, activity and sentiment, chief Inbasekar has missed the mark concerning the base and wound up doling out a tasteless passage, which helps one to remember a hodgepodge of a few different scenes/motion pictures from the past.